Sage, what are you doing here?Well don't you think I belong here?
Yes, you are an amazing painting.
But no one has ever heard of you!
There is a strong clue about me in the Yams gallery.
Can't find it
all 2017 to paint 36x36
Five things (3 people, 2 vegetables) that have very little in common, yet all fit together in a strange way. I bought the Yam and even grew the Zucchini. Unlike Manuel Noriega, who is profoundly influenced by the Pineapple, neither Glenn nor Chuck Close have anything in particular to do with yams, either in appearance or personal mannerisms, as far as is publicly known. However, it is through the nexus of this Yam that they may be compared and contrasted. I admire both the artistic accomplishments of Chuck and the film career of Glenn (even if I constantly confuse her with Cloris Leachman, another fine actress). The Panamanian history of the late 20th century not so much, although I always have liked pictures of Manuel. Here is a small-scale modified reproduction of one of Chuck's largest and most famous works, along with two images from one of Glenn's best movies, the 101 Dalmatians, in which she plays a female Devil. Noreiga was a prominent male devil as far as President Bush Daddy was concerned. Chuck has influenced my painting style of squares with little squares inside. I cannot copy his more complex pixelated mosaic style, although you may try per these instructions: https://www.tes.com/lessons/JrlVF3FrZ2fahg/chuck-close-style-portrait-painting
A big yam with a flat bottom and pronounced orange mouth. Shaped very much like a whale. Sept 2015 11x14
Hunt Slonem Yam
Inspired by Hunt Slonem, interior decorator to the stars, who has the biggest studio in NYC, and who paints birds, butterflies, and rabbits with great gusto. Hunt is a larger-than-life flamboyantly-dressed man, and I have selected a Yam with the same characteristics. It has bulging veins and is a bright florid pink. Above it is a boniato whose surface is a veritable war zone, covered with scabs, scales, and mottled purple coloration. Most root vegetables are happy to live underground. Not this one.
24x36 Dec 2015.
The lizard on the right is an iguana, but looks somewhat fishy. The other reptile is actually a blue salamander. This yam had very deep holes, going down half an inch or more. The Yam of Doom also had one, but nothing like this yam. As with that painting, the top orange projection is based on the other side of the yam.18x24 Summer 2014
How be-ith oo?
I yam goodly!
The hyphalosuarus is an aquatic dinosaur. There are two flanking the Yam, and the top one has two heads, one of which is in honor of Loretta Reisberg, a fine Southern lady. The yam itself is an idealized, platonic form, totally without blemish, and painted from imagination, not a real model. 20x30 May 2014
24x36 Dec 25-31 2013. I had not planned to make this painting, but came across such an amazingly big yam at a specialty food market that I felt compelled to paint it. A gift!
2012 30x40 Cousin Bernie is the potato. No, there is no Bernie in my family in real life. Laura notes a Hopper-esque quality to this piece, in that the woman seems isolated in the spacious living room and her relationship to the root vegetables is ambiguous. She has a point, and in fact I don’t know if it is her house or the Yams’ house. Moreover, the central painting in the painting might actually be a wide screen monitor of their bedroom, rather than a still life, the better for us to voyeuristically observe them. But I can tell you that the little painting in the painting in the painting is a picture of Jim Wodark plein-air painting (see www.jimwodark.com).
As you know, root vegetables have citrus fruits as pets. Bernie’s lime is on the rug, and the Yams’ lemon is on their bedroom chair. Their pink rug is very fluffy. Look closely and you will see the Chinese vase is in honor of Ming Chen, a junior high school friend of mine, who went on to do great things in Seattle. The I and G flowers are responding to the lady’s reach.
Based on a real event. Five local yokels are in trouble for driving around with a pipe bomb in their trunk. They just liked to see things go boom. Still in the pokey. Stupid, definitely, and maybe even terrorists?
Thanks to my friend Susan for the better title. I was just going to call it “The Bad Yam”. Nancy says the big one on the left is “the best yam ever”
May 2011 22x28
Mango and Banana, Yam on the Moon. The red dot of a planet is Mars. From another sector, the Tomato People have sent out three cherry tomato scouts from the mother ship to check out our solar system. But unbeknownst to them, Michael Quigli’s grape has joined the party. No telling what will happen next.
It's really a goat. But it is becoming a ram. The yam is unusually orange and is from Alabama. It grew a propeller and became a blimp, piloted by a rubber duckie. The lion ate a lioness and became a cow. The cootie is trying to avoid being eaten by the heron.
Yams are accompanied by citrus fruits. My friend Ben the art critic sees this yam moving backwards in time to the dawn of creation.
In honor of the great 18th century French portraitsandstilllifes.com artist. The top two yam models looked like a walrus and a seal. The bottom one looked like a big submarine. 19x24
This was my first Yam painting. The bottom one is actually a boniato and is next to a rib. The second one looked like a bird..
Diptych 18x24 In honor of the twin East Bay cities. The gate opens to a castle on a hill, speaking to the inner richness of this Yam.
24x30 King Yam sits on a bed of red bliss potatoes and rules over the root vegetables. Queen Yam sits on a mushroom, looking after her salad greens.
But the carrot wants to join his sisters, and the gourd wants to join her brothers! They have each grown little feet for that purpose.
Is that a butterfly, or a hawk eating a squirrel?
This little critter is standing on its hind legs and saying "A-O-OZZIG". I don't know what that means. But the painting is in honor of National Guard troops serving under trying conditions in Iraq, as the military figure is their commanding general. May they return to the land of squirrels and sweet potatoes soon. The Yam, which is in the painting but does not participate in its action, is a double rendition of the same yam. 24x18.
In honor of a trip to the theater with our friends the Field-Neelys, to see Wendy Wasserstein's great play "Third". Nancy was wearing a pretty blouse, which I wanted to paint as a dividing curtain. But it turned into a headless giraffe doing the Watusi.